Recorded during the summer and fall of 2004, 'Come On, Feel It' mixed several genres. With influences ranging from Rufus Wainwright and Daft Punk, to Muse and Ace of Base. It was written by the jont efforts of Nate Boykin ...expand text.
Recorded during the summer and fall of 2004, 'Come On, Feel It' mixed several genres. With influences ranging from Rufus Wainwright and Daft Punk, to Muse and Ace of Base. It was written by the jont efforts of Nate Boykin and Kenny McWilliams. Each offered their different personal taste and, once combined, a unique entity arose and is now catching ears all across the country. Unfortunately, we see this record being regarded as knock-offs of new artists such as The Killers as well as being labeled a retro- act, however, upon genuine listening one can see that this album is something refreshingly new and creative. Close text
With a track this hittin' and ground breaking, you have every chance break out from the norm, and start setting standards for the rest to follow. It's almost like the free jazz movement, no one thought it would catch on ...expand text.
With a track this hittin' and ground breaking, you have every chance break out from the norm, and start setting standards for the rest to follow. It's almost like the free jazz movement, no one thought it would catch on until it hit it big. But when it did, there was a select crowd who bought it. So what, stay underground if you have to. There's nothing wrong with that. Close text
This is our first attempt at creating a recorded version of ourselves. We wouldn't necesarily call ourselves a 'jam-band' but it seems most of our musical ideas come across much better/easier in a live setting. Check out the ...expand text.
This is our first attempt at creating a recorded version of ourselves. We wouldn't necesarily call ourselves a 'jam-band' but it seems most of our musical ideas come across much better/easier in a live setting. Check out the songs but do come see us live, that's where the magic happens. Close text
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